THE 20TH CENTURY UK SINGLES CHART ARCHIVE

A HISTORICAL RECORD OF THE UK SINGLES CHART IN THE 20TH CENTURY

The Chart Time Machine is a comprehensive archive of the official UK singles chart, covering every chart week from the 1950s through to the end of the 20th century. From the very first NME chart in November 1952 to the final week of 1999, every chart position, every number one single, and every artist to grace the UK top 40 is catalogued here.

The 20th century was the golden age of the UK singles chart. It witnessed the birth of rock and roll in the 1950s, Beatlemania and psychedelia in the 1960s, glam rock, disco and punk in the 1970s, the synth-pop and rap revolution of the 1980s, and the Britpop, grunge and dance music explosion of the 1990s. No other era produced such diversity, creativity or cultural impact — and this archive puts it all at your fingertips.

On this website you can search for artists or song titles by keyword and date range, filter by chart position, browse an artist's complete UK chart history, and explore a song's full chart run week by week. Whether you want to know what was number one on a particular date, how many times an artist reached the top 10, or which label had the biggest hits in 1987, it's all just a few clicks away.

The Chart Time Machine is for everyone — casual music fans and dedicated chart aficionados alike. Many songs in the archive can be played directly by clicking the Play icon next to the title, and we add more playable tracks every week. We also offer chart quizzes to test your knowledge and a playlist generator to bring the hits of the past back to life.

Happy searching... and listening!

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ABOUT THE UK SINGLES CHART

The UK singles chart can be traced back to November 1952, when newspaper New Musical Express (NME) began collecting sales data from no more than a few dozen record stores which were initially aggregated into a list of the top 12 best-selling songs. This was expanded into a top 20 list in October 1954. Rival publication Record Mirror were quick to follow, compiling their own chart from January 1955. This was initially a top 10 and then a top 20 from October 1956, giving parity with NME. Both would later expand with Record Mirror becoming a top 20 in October 1955 and NME a top 30 in April 1956.

More rivals would soon arrive on the scene. Melody Maker started compiling its own top 20 from April 1956 and was soon joined by Disc in February 1958 and Record Retailer in March 1960. The proliferation of competing charts created an often confusing landscape for music fans, as different publications occasionally produced conflicting results depending on which record shops they surveyed and how they weighted their data. A song could sit at number one in one publication while languishing outside the top five in another. It's Record Retailer that is used as the source for all chart data between 1960 and early 1969, as its methodology — surveying record retailers directly — was considered the most commercially representative. Data from NME is used for the 1950s.

Until 1969, there was no unified single chart. It was, as indicated, a fragmented situation with multiple newspapers and magazines publishing their own chart from different sources. That all changed in February of that year when the British Market Research Bureau (BMRB) was tasked by the BBC to compile the first official chart listing, culled from a sampling of 250 record shops, chosen at random from approximately 6,000. The BMRB then sent the information over to the BBC every Tuesday.

This arrangement continued until 1983 when Gallup took over, and it was at this time the chart was expanded into a top 100. In 1990, the Chart Information Network was formed, a joint venture comprised of the BBC, Spotlight Publications (who published Music Week), the British Association of Record Dealers (BARD), and shortly thereafter the BPI. It was BARD - courtesy of member retailers including HMV, Virgin, WH Smith and Woolworths - who provided sales data to the Chart Information Network. In February 1994, Millward Brown started compiling the chart and has continued ever since.

The Chart Information Network changed its name to The Official UK Charts Company in November 2001, a name that remains to this day.

THIS WEEK'S FEATURED SONGS

    1990sFEATURED SONGS FROM 1992, 1993 AND 1995

    This week in chart history in 1992, Erasure hit a high of number 8 this week with Breath Of Life, via Mute. Number 8 was the song's peak position, charting for 6 weeks in total.

    This week in chart history in 1993, Shaggy sat at number 2 this week with Oh Carolina, released on Greensleeves. The song reached number 1, remaining on the chart for 19 weeks in total. It was Shaggy's highest charting single. It was also Greensleeves's highest charting single.

    This week in chart history in 1995, The Beatles held at number 9 this week with Baby It's You, on Parlophone. The song would go on to reach number 7, charting for 6 weeks in total.

    1980sFEATURED SONGS FROM 1982, 1984 AND 1984

    This week in chart history in 1982, Roxy Music had reached a peak of number 6 this week with More Than This, via EG. The song's highest position was number 6, remaining on the chart for 8 weeks in total. It was also EG's highest charting single of 1982.

    This week in chart history in 1984, Sade charted at number 10 this week with Your Love Is King, released on Epic. The song would go on to reach number 6, remaining on the chart for 12 weeks in total. It was Sade's highest charting single.

    This week in chart history in 1984, Thompson Twins charted at number 4 this week with You Take Me Up, released on Arista. The song would go on to reach number 2, remaining on the chart for 9 weeks in total. It was Thompson Twins's highest charting single. It was also Arista's joint-highest charting single of 1984.

    1970sFEATURED SONGS FROM 1974, 1975 AND 1977

    This week in chart history in 1974, Gary Glitter charted at number 4 this week with Remember Me This Way, via Bell. It would eventually peak at number 3, remaining on the chart for 8 weeks in total.

    This week in chart history in 1975, Rubettes had reached a peak of number 7 this week with I Can Do It, released on State. The song peaked at number 7, remaining on the chart for 9 weeks in total. It was also State's highest charting single of 1975.

    This week in chart history in 1977, David Soul peaked at number 2 this week with Going In With My Eyes Open, on Private Stock. The song peaked at number 2, remaining on the chart for 8 weeks in total.

    1960sFEATURED SONGS FROM 1963, 1964 AND 1965

    This week in chart history in 1963, Springfields hit a high of number 5 this week with Island Of Dreams, on Philips. The song's highest position was number 5, charting for 26 weeks in total. It was Springfields's highest charting single. It was also Philips's joint-highest charting single of 1963.

    This week in chart history in 1964, Eden Kane sat at number 9 this week with Boys Cry, released on Fontana. The song went on to peak at number 8, charting for 14 weeks in total.

    This week in chart history in 1965, Herman's Hermits charted at number 9 this week with Silhouettes, released on Columbia. It would eventually peak at number 3, charting for 12 weeks in total.

    1950sFEATURED SONGS FROM 1954, 1956 AND 1958

    This week in chart history in 1954, Obernkirchen Children's Choir peaked at number 2 this week with The Happy Wanderer, released on Parlophone. Number 2 was the song's peak position, remaining on the chart for 23 weeks in total. It was Obernkirchen Children's Choir's highest charting single. It was also Parlophone's highest charting single of 1954.

    This week in chart history in 1956, Dreamweavers held at number 2 this week with It's Almost Tomorrow, released on Brunswick. The song reached number 1, remaining on the chart for 18 weeks in total. It was Dreamweavers's highest charting single. It was also Brunswick's joint-highest charting single.

    This week in chart history in 1958, Elvis Presley held at number 6 this week with Jailhouse Rock, released on RCA. The song hit the top spot, spending 14 weeks on the chart in total. It was Elvis Presley's highest charting single. It was also RCA's joint-highest charting single.

      MOST WEEKS IN TOP 40 - 1970s